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From n8an. The bold are ones I've read. The italics are ones on my immediate TBR list.
212. "Things Fall Apart," Chinua Achebe 213. "Dona Flor and Her Two Husbands," Jorge Amado 214. "Le Grand Meaulnes," Alain-Fournier (Henri Alban Fournier) 215. "Take a Girl Like You," Kingsley Amis 216. "Winesburg, Ohio," Sherwood Anderson 217. "Surfacing," Margaret Atwood 218. "The New York Trilogy," Paul Auster 219. "Tales of Odessa," Isaak Babel 220. "Giovanni's Room," James Baldwin 221. "The Sweet Hereafter," Russel Banks 222. "The Regeneration Trilogy," Pat Barker 223. "Herzog," Saul Bellow 224. "Ficciones," Jorge Luis Borges 225. "Nadja," Andre Breton 226. "The Master and the Margarita," Mikhail Bulgakov 227. "The Naked Lunch," William Burroughs 228. "Possession," A.S. Byatt 229. "If On a Winter's Night a Traveller," Italo Calvino 230. "The Outsider," Albert Camus 231. "Auto da Fe," Elias Canetti 232. "Oscar and Lucinda," Peter Carey 233. "The Kingdom of This World," Alejo Carpentier 234. "The Bloody Chamber," Angela Carter 235. "What We Talk about When We Talk about Love," Raymond Carver 236. "The Horse's Mouth," Joyce Carey 237. "Journey to the End of Night," Louis-Ferdinand Celine 238. "Soldiers of Salamis," Javier Cercas 239. "The Stories of John Cheever," John Cheever 240. "Disgrace," J.M. Coetzee (d'oh. I think I own this) 241. "Cheri," Colette (Sidonie-Gabrielle Colette) 242. "Victory," Joseph Conrad 243. "A House and Its Head," Ivy Compton-Burnett 244. "Fifth Business," Roberson Davies 245. "Captain Corelli's Mandolin," Louis De Bernieres 246. "Underworld," Don Delillo 247. "Seven Gothic Tales," Isak Dinesen 248. "Berlin Alexanderplatz," Alfred Doblin 249. "Once Were Warriors," Alan Duff 250. "Rebecca," Daphne Du Maurier 251. "The Lover," Marguerite Duras 252. "The Alexandria Quartet," Lawrence Durrell 253. "The Name of the Rose," Umberto Eco 254. "The Neverending Story," Michael Ende 255. "The Sound and the Fury," William Faulkner 256. "The Wars," Timothy Findley 257. "The Good Soldier," Ford Maddox Ford 258. "Wildlife," Richard Ford 259. "A Passage to India," E.M. Forster 260. "The Corrections," Jonathan Franzen 261. "Birdsong," Sebastian Faulks 262. "The Blue Flower," Penelope Fitzgerald 263. "From the Fifteenth District," Mavis Gallant 264. "One Hundred Years of Solitude," Gabriel Garcia Marquez 265. "Our Lady of the Flowers," Jean Genet 266. "Lord of the Flies," William Golding 267. "July's People," Nadine Gordimer 268. "FerdyDurke," Witold Gombrowicz 269. "The Tin Drum," Gunther Grass 270. "Hunger," Knut Hamsun 271. "The Blind Owl," Sadegh Hedayat 272. "The Old Man and the Sea," Ernest Hemingway 273. "The Glass Bead Game," Herman Hesse 274. "Lost Horizon," James Hilton 275. "A High Wind in Jamaica," Richard Hughes 276. "The World According to Garp," John Irving 277. "Berlin Stories," Christopher Isherwood 278. "The Remains of the Day," Kazuo Ishiguro 279. "Ulysses," James Joyce 280. "The File on H," Ismail Kadare 281. "The Trial," Franz Kafka 282. "It," Stephen King 283. "The Unbearable Lightness of Being," Milan Kundera 284. "The Leopard," Giuseppe Di Lampedusa 285. "The Diviners," Margaret Laurence 286. "Women in Love," D.H. Lawrence 287. "The Golden Notebook," Doris Lessing 288. "The Periodic Table," Primo Levi 289. "Changing Places," David Lodge 290. "The Posthumous Memoirs of Bras Cubas" J.M. Machado De Assis 291. "The Cairo Trilogy," Naguib Mahfouz 292. "The Executioner's Song," Norman Mailer 293. "God's Grace," Bernard Malamud 294. "An Imaginary Life," David Malouf 295. "The Magic Mountain," Thomas Mann 296. "Embers," Sandor Marai 297. "Life of Pi," Yann Martel 298. "Cakes and Ale," Somorset Maugham 299. "The Group," Mary McCarthy 300. "The Heart is a Lonely Hunter," Carson McCullers 301. "Enduring Love," Ian McEwan 302. "The Sea of Fertility," Yukio Mishima 303. "A Fine Balance," Rohinton Mistry 304. "Cold Heaven," Brian Moore 305. "Beloved," Toni Morrison 306. "The Progress of Love," Alice Munro 307. "The Sea, the Sea," Iris Murdoch 308. "Lolita," Vladimir Nabokov 309. "A House for Mr Biswas," V.S. Naipaul 310. "The Third Policeman," Flann O'Brian 311. "A Good Man is Hard to Find," Flannery O'Connor 312. "The English Patient," Michael Ondaatje 313. "Where the Jackals Howl," Amos Oz 314. "The Messiah of Stockholm," Cynthia Ozick 315. "Gormenghast," Mervyn Peake 316. "Mr. Weston's Good Wine," T.F. Powys 317. "The Nephew," James Purdy 318. "Interview with the Vampire," Anne Rice 319. "Barney's Version," Mordecai Richler 320. "Hadrian the Seventh," Frederick Rolfe (Baron Colvo) 321. "The Radetzky March," Joseph Roth 322. "The Human Stain," Philip Roth 323. "The Satanic Verses," Salman Rushdie 324. "Pedro Paramo," Juan Rulfo 325. "Bonjour Tristesse," Francoise Sagan 326. "Short Stories," Saki (Hector Hugh Munro) 327. "Catcher in the Rye," J.D. Salinger 328. "Staying On," Paul Scott 329. "Austerlitz," W.G. Sebald 330. "Last Exit to Brooklyn," Hubert Selby Jr. 331. "Unless," Carol Shields 332. "The Magician of Lubin," Isaac Bashevis Singer 333. "The Engineer of Human Souls," Josef Skvorecky 334. "The Prime of Miss Jean Brodie," Muriel Spark 335. "The Man Who Loved Children," Christina Stead 336. "The Grapes of Wrath," John Steinbeck 337. "Sohie's Choice," William Styron 338. "Perfume," Patrick Suskind 339. "The Confessions of Zeno," Italo Svevo 340. "Declares Pereira," Antonio Tabucchi 341. "The White Hotel," D.M. Thomas 342. "The Master," Colm Toibin 343. "Felicia's Journey," William Trevor 344. "The Palm-Wine Drinkard," Amos Tutuola 345. "The Accidental Tourist," Anne Tyler 346. "Couples," John Updike 347. "The Time of the Hero," Mario Vargas Llosa 348. "In Praise of Older Women," Stephen Vizinczey 349. "Brideshead Revisited," Evelyn Waugh 350. "Voss," Patrick White 351. "Memoirs of Hadrian," Marguerite Yourcenar
Current Mood:  blah Current Music: lunch
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